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home·artworks·The Shepherd in the Mountains
The Shepherd in the Mountains by Boris Grigoriev

plate no. 6497

The Shepherd in the Mountains

Boris Grigoriev, 1920

oilCubismportraitportraitshepherdsheepmountainshatlandscape
some experience helpful

Recreating this painting will help students understand how to break down complex forms into geometric shapes and use color variations to create depth and dimension. It also provides practice in creating a cohesive composition with multiple subjects.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a basic sketch outlining the main shapes of the shepherd, sheep, and landscape.

  2. step 02

    Divide the face and sheep into geometric planes, simplifying the forms.

  3. step 03

    Block in the background colors, focusing on the different hues of blue and green.

  4. step 04

    Begin painting the larger planes of color on the face and sheep, using a limited palette.

  5. step 05

    Gradually add more detail and refine the shapes, paying attention to the subtle color variations within each plane.

  6. step 06

    Use slightly visible brushstrokes to add texture and visual interest.

  7. step 07

    Add the details of the eyes and mouth, keeping the geometric style consistent.

  8. step 08

    Refine the edges and add final touches to complete the painting.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red light · viridian green · raw sienna

Mix various shades of skin tones by combining yellow ochre, burnt umber, and titanium white. Achieve the blues of the mountains by mixing ultramarine blue with white and a touch of green. Create the grays for the sheep by mixing burnt umber, ultramarine blue, and white.

techniques

  • ·geometric abstraction
  • ·color blocking
  • ·broken color
  • ·dry brushing
  • ·limited palette

common pitfalls

  • →Overcomplicating the geometric shapes
  • →Using too many colors and losing the cohesive feel
  • →Ignoring the subtle value changes within each plane
  • →Making the brushstrokes too smooth and losing the texture

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes sizes 2, 4, and 6
  • ·flat brushes sizes 4 and 8
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·painting medium
  • ·varnish
  • ·easel

A medium-textured canvas will work well for this painting. Use a limited palette to maintain color harmony.

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oil painting for beginners →how to learn by studying the masters →
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