apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Roadside Inn
The Roadside Inn by George Morland

plate no. 8488

The Roadside Inn

George Morland, 1792

oilRococogenre paintingfiguresbuildinghorsetreelandscapeinn
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape setting and understanding atmospheric perspective through subtle value changes. It also provides practice in rendering textures of buildings and foliage using visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, figures, and horse.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or similar earth tone.

  3. step 03

    Block in the main color areas for the building, foliage, and figures, using a limited palette.

  4. step 04

    Develop the details of the building, paying attention to the texture of the walls and roof.

  5. step 05

    Refine the figures, adding details to their clothing and faces.

  6. step 06

    Paint the horse, focusing on its anatomy and the play of light on its coat.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and create atmospheric effects.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · cadmium red light · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, yellow ochre, ivory black, and titanium white. Use small amounts of cadmium red and ultramarine blue to create subtle color variations in the shadows and foliage.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much detail in the background, which can flatten the image.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of figures and animals.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, yellow ochre, titanium white, ivory black, cadmium red light, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West