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home·artworks·The Road to the Mountains
The Road to the Mountains by Paul Henry

plate no. 5444

The Road to the Mountains

Paul Henry

oilPost-Impressionismlandscapecloudsmountainshousesroadlandscapesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and learn how to suggest form with loose, expressive brushstrokes. It's also a good exercise in simplifying a complex scene into essential shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, mountain shape, and placement of the houses.

  2. step 02

    Block in the sky with a light blue-gray wash, leaving space for the clouds.

  3. step 03

    Establish the dark mass of the mountain using a mix of dark blues and browns.

  4. step 04

    Paint the road with a mid-tone brown, suggesting cracks and variations in color.

  5. step 05

    Add the houses, focusing on their basic shapes and the contrast between the white walls and dark roofs.

  6. step 06

    Build up the clouds with layers of white, gray, and subtle hints of blue and pink, paying attention to the light and shadow.

  7. step 07

    Add details like the fences and vegetation, using small, broken brushstrokes.

  8. step 08

    Refine the values and edges to create a sense of depth and atmosphere.

color palette

primary · titanium white · ultramarine blue · burnt umber

secondary · yellow ochre · raw sienna · ivory black

Mix various shades of gray for the sky and clouds by combining white, blue, and a touch of brown. Achieve the mountain color by mixing blue, brown, and black. Use yellow ochre and raw sienna to warm up the browns for the road and foreground.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·value blocking

common pitfalls

  • →Overworking the clouds and losing their soft, airy quality.
  • →Making the mountain too flat and uniform in color.
  • →Ignoring the subtle color variations in the road and foreground.
  • →Getting the perspective of the houses wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or 16x20)
  • ·oil paints (titanium white, ultramarine blue, burnt umber, yellow ochre, raw sienna, ivory black)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil or painting medium
  • ·palette knife
  • ·rags
  • ·turpentine or mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to establish a mid-tone base.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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