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home·artworks·The Riviera (right Panel)
The Riviera (right Panel) by Charles E. Burchfield

plate no. 2622

The Riviera (right Panel)

Charles E. Burchfield, 1926

oilNew Realismlandscapegardentreesseaskyflowerslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and understanding atmospheric perspective. It also provides practice in rendering complex organic shapes like trees and flowers.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, major trees, and garden elements.

  2. step 02

    Block in the sky with a light blue wash, adding subtle variations for clouds.

  3. step 03

    Establish the distant landmasses and sea with muted blues and greens, paying attention to value differences.

  4. step 04

    Begin layering in the trees, starting with darker values and adding highlights to create form.

  5. step 05

    Develop the garden area, focusing on the shapes and colors of the flowers and foliage.

  6. step 06

    Add details to the architecture, such as the arches and fountain.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details, such as small boats on the sea and highlights on the flowers.

color palette

primary · cerulean blue · sap green · yellow ochre · titanium white

secondary · cadmium red · ultramarine blue · burnt umber

Mix greens by combining blues and yellows, adjusting the ratios to create a variety of shades. Use white to lighten colors and create highlights. Muted tones are achieved by adding small amounts of complementary colors.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →overworking the details
  • →using colors that are too saturated
  • →failing to establish a clear focal point
  • →ignoring value differences

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·rags
  • ·odorless mineral spirits
  • ·retarder medium

Using a medium can help with blending and layering. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →how to learn by studying the masters →
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