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home·artworks·The River Kiðá in Húsafellskógur
The River Kiðá in Húsafellskógur by Asgrimur Jonsson

plate no. 8200

The River Kiðá in Húsafellskógur

Asgrimur Jonsson, 1953

oilPost-Impressionismlandscaperivermountainstreeslandscapebuildingssky
some experience helpful

Recreating this painting will help students develop skills in applying thick, expressive brushstrokes and understanding how to create depth through color and value changes. It also provides practice in simplifying complex scenes into basic shapes and colors.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the river, mountains, and buildings.

  2. step 02

    Block in the large areas of color, starting with the sky and mountains, then the water and land.

  3. step 03

    Add darker values to create shadows and define the forms of the mountains, trees, and buildings.

  4. step 04

    Use thicker paint and visible brushstrokes to add texture and detail to the water, especially the white water.

  5. step 05

    Introduce secondary colors to add depth and interest to the landscape.

  6. step 06

    Refine the shapes and edges of the buildings and trees, using smaller brushstrokes.

  7. step 07

    Add highlights to the water and buildings to create a sense of light and reflection.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · ultramarine blue · titanium white · burnt sienna · cadmium red

secondary · yellow ochre · viridian green · raw umber

Mix blues and whites for the sky and water, adding small amounts of red or yellow to adjust the temperature. Use burnt sienna and raw umber for earth tones, mixing with white to create lighter shades. Green is achieved by mixing blue and yellow.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·wet-on-dry layering
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and not simplifying the forms.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#6 flat brush
  • ·#4 round brush
  • ·palette knife
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use good quality oil paints for best results. A medium-textured canvas will help to create a more painterly effect.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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