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The River in Autumn by Gustave Loiseau

plate no. 6588

The River in Autumn

Gustave Loiseau, 1912

oil, canvasPost-Impressionismlandscaperivertreesautumnlandscapeskyclouds
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to capture the fleeting effects of light and atmosphere. Students will also learn to simplify complex scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line, riverbanks, and major tree masses.

  2. step 02

    Block in the sky with light blue and hints of pink and green, using loose, broken brushstrokes.

  3. step 03

    Establish the basic colors of the trees, using yellows, oranges, greens, and browns, varying the tones to suggest depth.

  4. step 04

    Paint the river with horizontal strokes of blue, green, and hints of pink and yellow to reflect the sky and trees.

  5. step 05

    Add details to the trees, using short, choppy brushstrokes to create texture and suggest foliage.

  6. step 06

    Refine the reflections in the water, paying attention to color and value relationships.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Review and adjust the overall composition, ensuring a harmonious balance of color and tone.

color palette

primary · yellow ochre · cerulean blue · cadmium yellow · titanium white

secondary · alizarin crimson · burnt umber · sap green

Mix greens by combining blues and yellows. Achieve muted tones by adding small amounts of complementary colors. Use white to lighten colors and create atmospheric effects.

techniques

  • ·broken color
  • ·impasto
  • ·wet-on-wet blending
  • ·scumbling
  • ·color layering

common pitfalls

  • →Overworking the details and losing the impressionistic effect.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the color relationships between different elements of the painting.
  • →Creating mud by over-mixing colors on the canvas.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a limited palette of high-quality oil paints for best results. Pre-toned canvas can help establish the mid-tones.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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