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The rise by Peter Fendi

plate no. 0387

The rise

Peter Fendi, 1829

oil, panelBiedermeiergenre paintingfigureschurchlandscapebuildingtreessky
experienced study

Recreating this painting will help students develop skills in figure painting, atmospheric perspective, and rendering textures of different materials like fabric and stone. It also provides practice in creating a complex composition with multiple focal points.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and placement of figures and the church.

  2. step 02

    Block in the main shapes and colors of the background landscape and sky.

  3. step 03

    Establish the basic values and colors of the church building, paying attention to light and shadow.

  4. step 04

    Begin painting the figures, starting with the largest and most prominent ones.

  5. step 05

    Develop the details of the figures' clothing and facial features.

  6. step 06

    Add details to the church, such as windows, doors, and architectural elements.

  7. step 07

    Refine the background landscape, adding details to the trees and foliage.

  8. step 08

    Add final details and highlights to the entire painting, adjusting values and colors as needed.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · viridian green · raw sienna

Mix various shades of yellow ochre and burnt umber with white to create the warm tones of the church. Use ultramarine blue and white for the sky, and mix greens with blue, yellow, and umber for the landscape.

techniques

  • ·figure painting
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall harmony of the painting.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, ultramarine blue, burnt umber, titanium white, cadmium red, viridian green, raw sienna)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for applying layers of paint.

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oil painting for beginners →how to learn by studying the masters →
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