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home·artworks·The Right Honourable David Lloyd George
The Right Honourable David Lloyd George by Augustus John

plate no. 6700

The Right Honourable David Lloyd George

Augustus John, 1916

oilPost-Impressionismportraitportraitfiguremanclothingsuithistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering clothing folds with visible brushstrokes. It also provides practice in mixing skin tones and creating depth with subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Block in the main areas of color, focusing on the background, skin tones, and clothing.

  3. step 03

    Refine the facial features, paying attention to the light and shadow on the face.

  4. step 04

    Develop the details of the clothing, using visible brushstrokes to create texture and form.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Refine the background, ensuring it complements the figure.

  7. step 07

    Check the overall composition and make any necessary adjustments.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red light

secondary · ultramarine blue · yellow ochre

Mix skin tones using white, red, yellow ochre, and a touch of blue or umber for shadows. Create the suit color by mixing blue, black, and white, adjusting the proportions for different shades.

techniques

  • ·portraiture
  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overblending skin tones, resulting in a flat appearance.
  • →Losing the likeness of the subject.
  • →Ignoring the importance of value contrast.
  • →Getting bogged down in details too early.
  • →Not observing the subtle color variations in the clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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