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home·artworks·The Rialto Bridge, Venice
The Rialto Bridge, Venice by Walter Sickert

plate no. 2171

The Rialto Bridge, Venice

Walter Sickert

oilPost-Impressionismcityscapebridgebuildingswatercityscapearchitecturereflections
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and rendering reflections in water using broken color techniques. It also provides practice in simplifying complex architectural forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the bridge, buildings, and water line.

  2. step 02

    Establish the overall color temperature and light source.

  3. step 03

    Block in the large areas of color, focusing on the warm glow under the bridge and the cooler tones in the water and buildings.

  4. step 04

    Begin to define the architectural details with darker values, using short, broken brushstrokes.

  5. step 05

    Add highlights to the buildings and reflections in the water to create depth and dimension.

  6. step 06

    Refine the details of the bridge, paying attention to the arches and shadows.

  7. step 07

    Adjust the values and colors as needed to create a sense of atmosphere and unity.

  8. step 08

    Add final touches to the reflections, using small strokes to suggest movement in the water.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · ivory black

Mix warm browns and oranges for the bridge and buildings, using yellow ochre, burnt umber, and cadmium red. Cool the colors for the buildings in shadow by adding ultramarine blue and ivory black. Create the water with a mix of ultramarine blue, burnt umber, and white, adjusting the proportions to achieve the desired tone.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Creating mud by over-mixing colors
  • →Ignoring the importance of value contrast
  • →Failing to capture the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes sizes 2, 4, 6
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for broken color application. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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