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home·artworks·The Residence of David Twining in 1785
The Residence of David Twining in 1785 by Edward Hicks

plate no. 8492

The Residence of David Twining in 1785

Edward Hicks, 1847

oilNaïve Art (Primitivism)genre paintingfarmanimalsbuildingsfigurestreeslandscape
some experience helpful

Recreating this painting will help students understand how to simplify complex scenes into basic shapes and practice layering colors to create depth. It's also a good exercise in depicting various textures, like foliage and animal fur, with limited detail.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and layout of the composition, paying attention to the placement of the buildings, animals, and figures.

  2. step 02

    Block in the large areas of color, starting with the sky and ground.

  3. step 03

    Add the main structures like the buildings and fences, focusing on their geometric forms.

  4. step 04

    Begin adding details to the animals, using simple shapes and colors to define their forms.

  5. step 05

    Paint the figures, paying attention to their poses and clothing.

  6. step 06

    Add details to the trees and foliage, using small brushstrokes to create texture.

  7. step 07

    Refine the details and add highlights and shadows to create depth.

  8. step 08

    Add the final details, such as the faces of the figures and the texture of the ground.

color palette

primary · yellow ochre · raw umber · titanium white · burnt sienna

secondary · Prussian blue · cadmium red · ivory black

Mix yellow ochre and raw umber for the ground and buildings. Use white to lighten colors and create highlights. Mix small amounts of Prussian blue with other colors to create shadows.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·simplification

common pitfalls

  • →Overcomplicating the details
  • →Using too many colors
  • →Not paying attention to the overall composition
  • →Getting bogged down in realism

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·painting rags
  • ·varnish

Use a limited palette of colors to maintain the painting's overall harmony. Consider using a toned canvas to create a warm underpainting.

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oil painting for beginners →how to learn by studying the masters →
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