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home·artworks·The Residence of David Twining 1787
The Residence of David Twining 1787 by Edward Hicks

plate no. 1963

The Residence of David Twining 1787

Edward Hicks, 1847

oil, canvasNaïve Art (Primitivism)genre paintingfarmanimalsbuildingsfigureslandscapetrees
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and detail, as well as practicing accurate proportions for figures and animals in a landscape setting. It also provides practice in creating a sense of perspective through size and placement of objects.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the placement of buildings, figures, and animals.

  2. step 02

    Block in the large areas of color, starting with the sky and ground.

  3. step 03

    Add details to the buildings, such as windows, doors, and roof lines.

  4. step 04

    Paint the figures and animals, paying attention to their proportions and poses.

  5. step 05

    Add details to the landscape, such as trees, fences, and crops.

  6. step 06

    Refine the colors and values, adding highlights and shadows.

  7. step 07

    Add final details, such as facial features and textures.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · yellow ochre · raw umber · Prussian blue · titanium white

secondary · burnt sienna · cadmium red light · ivory black

Mix yellow ochre and raw umber for the dominant earth tones. Use Prussian blue and white for the sky. Burnt sienna and cadmium red light can be mixed for the figures' clothing and animal coats.

techniques

  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·blocking in
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figures and animals wrong.
  • →Making the colors too bright or saturated.
  • →Not creating enough depth in the landscape.
  • →Overworking the details.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (yellow ochre, raw umber, Prussian blue, titanium white, burnt sienna, cadmium red light, ivory black)
  • ·Palette
  • ·Palette knife
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use good quality oil paints for best results. A medium-tooth canvas will provide a good surface for the paint to adhere to.

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