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home·artworks·The Requisition
The Requisition by Ivan Generalić

plate no. 8738

The Requisition

Ivan Generalić, 1934

oilNaïve Art (Primitivism)genre paintingfiguressnowbuildingsanimalsvillagewinter

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, figures, and the animal, focusing on proportions and placement.

  2. step 02

    Establish the horizon line and divide the canvas into sky and ground.

  3. step 03

    Block in the large areas of color for the sky, snow, buildings, and figures using thin washes.

  4. step 04

    Add details to the buildings, such as roofs and windows, using darker tones.

  5. step 05

    Develop the figures, adding details like clothing and faces, using a limited palette.

  6. step 06

    Paint the animal, paying attention to its form and the blanket draped over it.

  7. step 07

    Add shadows and highlights to create depth and dimension.

  8. step 08

    Refine the details and add any final touches.

color palette

primary · gray · white · ochre · black

secondary · red · blue · green

Mix various shades of gray by combining white with small amounts of black, ochre, and blue. Create muted tones by mixing complementary colors.

techniques

  • ·blocking in
  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·simplification

common pitfalls

  • →Overcomplicating the details of the figures and buildings.
  • →Using too many colors, which can make the painting look muddy.
  • →Not establishing a clear focal point.
  • →Ignoring the subtle variations in the snow and sky.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Rags
  • ·Pencil

optional

  • ·Medium (for oil paints)
  • ·Easel
  • ·Apron

Use a limited palette of colors to capture the muted tones of the painting. Consider using a textured canvas to enhance the rustic feel.

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