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home·artworks·The Reduction of Alba Longa by Tullus Hostilius
The Reduction of Alba Longa by Tullus Hostilius by Lo Scheggia

plate no. 3592

The Reduction of Alba Longa by Tullus Hostilius

Lo Scheggia, 1435

oilEarly Renaissancehistory paintingcityscapefigureslandscapehillsbattlearchitecture
experienced study

Recreating this painting will help students develop skills in layering, creating depth through atmospheric perspective, and depicting complex scenes with many figures. It also encourages attention to detail and historical context.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
1

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic landscape and architectural elements, focusing on perspective.

  2. step 02

    Establish the horizon line and major divisions of the composition.

  3. step 03

    Block in the large shapes of the city, hills, and foreground figures with diluted washes.

  4. step 04

    Begin layering details in the architecture, using lighter tones for distant elements.

  5. step 05

    Add details to the figures, starting with the larger groups and moving to the foreground.

  6. step 06

    Refine the color palette, adjusting values to create depth and atmosphere.

  7. step 07

    Add final details and highlights to the figures and architecture.

  8. step 08

    Glaze with thin washes to unify the painting and create a sense of age.

color palette

primary · ochre · burnt umber · raw sienna · titanium white

secondary · red oxide · ultramarine blue · ivory black

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or black. Use thin glazes of red oxide to create the pinkish hues of the city.

techniques

  • ·layering
  • ·glazing
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Getting lost in the details too early.
  • →Overworking the painting and losing the freshness of the initial washes.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·ochre acrylic paint
  • ·burnt umber acrylic paint
  • ·raw sienna acrylic paint
  • ·titanium white acrylic paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Use high-quality acrylic paints for best results. Consider using a linen canvas for a more authentic look.

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