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home·artworks·The Redhead with a White Blouse
The Redhead with a White Blouse by Henri de Toulouse-Lautrec

plate no. 2353

The Redhead with a White Blouse

Henri de Toulouse-Lautrec, 1888

oil, canvasPost-Impressionismportraitportraitfigureinteriorpaintingswoman
some experience helpful

Recreating this painting will help students develop skills in pointillism and color mixing to achieve subtle variations in tone. It also provides practice in capturing a likeness and creating a sense of depth through color.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figure and background elements.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the canvas.

  3. step 03

    Begin building up layers of small, distinct brushstrokes in various colors to create the pointillist effect.

  4. step 04

    Focus on accurately capturing the skin tones and facial features of the subject.

  5. step 05

    Pay attention to the direction and density of the brushstrokes to create form and texture.

  6. step 06

    Refine the details of the clothing, background, and other elements in the painting.

  7. step 07

    Adjust the colors and values as needed to create a harmonious and balanced composition.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · titanium white · raw sienna · ultramarine blue · alizarin crimson

secondary · yellow ochre · viridian green · ivory black

Achieve skin tones by mixing white, sienna, and crimson, adjusting the proportions for highlights and shadows. Use small amounts of blue and green to create cool tones in the shadows. Mix black and blue for the dark areas of the dress.

techniques

  • ·pointillism
  • ·color mixing
  • ·layering
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overmixing colors and losing the distinct brushstrokes.
  • →Creating muddy or dull colors.
  • →Ignoring the subtle variations in tone and color.
  • →Failing to accurately capture the proportions and features of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 0-4)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use high-quality oil paints for best results. A medium-sized canvas (16x20) is recommended for this project.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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