apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Red House
The Red House by Jamie Wyeth

plate no. 4520

The Red House

Jamie Wyeth, 1972

watercolor, paperContemporary Realismlandscapehouseoceanrocksbirdsskyvegetation
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the texture of natural elements like rocks and water using watercolor techniques. It also provides practice in depicting a complex subject (the house) with simplified forms and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Lightly sketch the basic shapes: the house, the rock formation, and the horizon line.

  2. step 02

    Establish the sky and water with diluted washes of blue and gray, creating a sense of atmosphere.

  3. step 03

    Paint the house with a base layer of red, gradually building up darker values in the shadows.

  4. step 04

    Add details to the rocks using a dry brush technique with grays and browns to create texture.

  5. step 05

    Paint the foliage with greens and yellows, varying the values to suggest depth.

  6. step 06

    Add the birds using quick, gestural strokes of white and gray.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and realism.

color palette

primary · cadmium red · ultramarine blue · raw umber

secondary · yellow ochre · titanium white · payne's gray

Mix the red with raw umber for darker tones on the house. Use ultramarine blue and white for the sky and water, adding a touch of raw umber for a muted effect. Yellow ochre and raw umber create the greens for the foliage.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·layering washes
  • ·rendering form with value

common pitfalls

  • →Overworking the details, resulting in a flat and lifeless painting.
  • →Using too much water, causing the colors to bleed uncontrollably.
  • →Failing to establish a clear value structure, resulting in a lack of depth.
  • →Not simplifying the complex shapes of the rocks and foliage.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·masking tape

optional

  • ·palette knife
  • ·gouache (white)
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. A limited palette will help maintain color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Fifth Ave

Fifth Ave

Pietropoli Patrick

July

July

Fairfield Porter

Tresco

Tresco

John Miller

Pope John Paul II

Pope John Paul II

Nelson Shanks

Dog and Groom

Dog and Groom

Alex Colville

Beach with Palm

Beach with Palm

John Miller

Au Wihlering II

Au Wihlering II

Gazmend Freitag

Dan Cowan

Dan Cowan

Richard Whitney