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home·artworks·The Reader
The Reader by Grace Cossington Smith

plate no. 2948

The Reader

Grace Cossington Smith, 1916

oilPost-Impressionismgenre paintingfigureinteriorchairwindowbookdress
some experience helpful

Recreating this painting will help students practice broken color techniques and learn to simplify complex forms into basic shapes. It also offers practice in capturing light and shadow with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, chair, window, and background elements.

  2. step 02

    Establish the overall color scheme by blocking in the main color areas with thin washes.

  3. step 03

    Begin building up layers of color using short, broken brushstrokes.

  4. step 04

    Focus on capturing the light and shadow patterns on the figure and surrounding objects.

  5. step 05

    Mix colors directly on the canvas to achieve a textured, impressionistic effect.

  6. step 06

    Refine the details of the face and hands, paying attention to the subtle color variations.

  7. step 07

    Add final touches and highlights to enhance the overall sense of depth and dimension.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to color, value, or composition.

color palette

primary · pink · dark blue · yellow ochre · red

secondary · white · green · brown

Achieve the pinks by mixing red and white with a touch of yellow. Create the dark blues by mixing blue with a touch of black and burnt umber. The browns are achieved by mixing burnt umber, yellow ochre, and a touch of blue.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color mixing on canvas
  • ·alla prima

common pitfalls

  • →Overblending the colors, which will lose the textured effect.
  • →Getting bogged down in details too early.
  • →Not paying attention to the light and shadow patterns.
  • →Using colors straight from the tube without mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a canvas with a medium texture to enhance the brushstroke visibility. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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