apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Pray at Bou-saada, Algeria
The Pray at Bou-saada, Algeria by Eugène Girardet

plate no. 4624

The Pray at Bou-saada, Algeria

Eugène Girardet

oilOrientalismgenre paintingfiguresarchitecturedesertskyrobesprayer
some experience helpful

Recreating this painting will help students develop skills in painting figures in robes, creating atmospheric perspective, and mixing subtle color variations to depict light and shadow on architectural forms. Students will also learn about composition and how to create a focal point.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the architecture.

  2. step 02

    Establish the horizon line and the basic shapes of the distant mountains.

  3. step 03

    Block in the large areas of color for the sky, desert, and buildings using thin washes.

  4. step 04

    Begin adding details to the architecture, paying attention to the light and shadow.

  5. step 05

    Paint the figures, starting with the darkest areas and gradually adding highlights.

  6. step 06

    Add details to the robes and faces, paying attention to the folds and wrinkles.

  7. step 07

    Paint the rug with its intricate patterns, simplifying the design as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · ultramarine blue

Achieve the subtle variations in the walls and desert by mixing white with small amounts of raw umber, yellow ochre, and burnt sienna. Use ultramarine blue to cool down the shadows.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details in the background, which should be kept soft and muted.
  • →Making the figures too stiff or unnatural.
  • →Using colors that are too bright or saturated.
  • →Losing the sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

Young Rider With A Rifle

Young Rider With A Rifle

Nasreddine Dinet

The Harem Dance

The Harem Dance

Giulio Rosati

The arms merchant

The arms merchant

Gustavo Simoni

Oriental woman

Oriental woman

Jean-François Portaels

A Bedouin Encampment

A Bedouin Encampment

Eugène Girardet

The sphinx of Geezah

The sphinx of Geezah

Carl Haag

A Chinesa

A Chinesa

Anita Malfatti