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home·artworks·the Pottery Seller in Old City Cairo
the Pottery Seller in Old City Cairo by Charles Sprague Pearce

plate no. 3501

the Pottery Seller in Old City Cairo

Charles Sprague Pearce

oil, panelAcademicismgenre paintingarchitecturefigurescamelmarketcityscapepottery
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a complex environment and understanding atmospheric perspective to create depth. Students can also learn to create texture with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main architectural shapes, the camel, and figures.

  2. step 02

    Establish the background with broad washes of color, focusing on the overall light and shadow.

  3. step 03

    Block in the main colors of the buildings, camel, and figures, paying attention to local color and value.

  4. step 04

    Develop the details of the architecture, including the intricate patterns and textures.

  5. step 05

    Refine the figures, adding details to their clothing and faces.

  6. step 06

    Work on the camel, paying attention to its anatomy and texture.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Finish with small details and adjustments to unify the painting.

color palette

primary · raw umber · titanium white · ultramarine blue · burnt sienna

secondary · yellow ochre · cadmium red · viridian

Mix various shades of brown and gray by combining raw umber, burnt sienna, and ultramarine blue with white. Use yellow ochre and cadmium red to create warm highlights. Mix viridian with other colors to create muted greens and earth tones.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing freshness.
  • →Inaccurate proportions of figures and architecture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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