apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Port of Sauzon
The Port of Sauzon by Maxime Maufra

plate no. 9966

The Port of Sauzon

Maxime Maufra, 1905

oil, canvasPost-Impressionismcityscapeboatswaterbuildingsskyportlighthouse
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the atmospheric perspective of a coastal scene. Students will also learn to simplify complex shapes into basic forms.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, the placement of the buildings, and the boats.

  2. step 02

    Block in the large areas of color: sky, water, buildings, and foreground.

  3. step 03

    Develop the sky with subtle variations in tone, using soft blending techniques.

  4. step 04

    Add details to the buildings, focusing on the light and shadow patterns.

  5. step 05

    Paint the water, capturing the reflections and the movement of the surface.

  6. step 06

    Add the boats, paying attention to their shapes and their placement in the water.

  7. step 07

    Refine the foreground, adding details to the vegetation and the shoreline.

  8. step 08

    Add final details and highlights to create depth and interest.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · titanium white

secondary · cadmium red · viridian green

Mix muted greens for the water and foliage by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Achieve the sky's subtle tones by blending white with small amounts of blue and ochre.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details in the buildings.
  • →Creating too much contrast in the water.
  • →Failing to capture the atmospheric perspective.
  • →Using colors straight from the tube without mixing.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov