
plate no. 1595
Felix Vallotton, 1901
approach — 8 steps
Lightly sketch the main shapes: the horizon line, the large buildings, the water area, and the foreground hill.
Block in the sky with a base layer of dark blue, allowing for slight variations in tone.
Paint the water with a flat, bright blue, leaving space for reflections later.
Add the basic shapes of the buildings and the fort, using light beige and dark brown respectively.
Paint the foreground hill with a base of green, then add darker and lighter greens to create texture.
Add the suggestion of trees in the foreground with ochre and brown, using short, broken brushstrokes.
Indicate the ships in the distance with simplified shapes and muted colors.
Add small details like the white sailboats and reflections in the water.
color palette
primary · ultramarine blue · yellow ochre · titanium white
secondary · burnt umber · sap green · cadmium red light
Mix the sky color by combining ultramarine blue with a touch of white and burnt umber. Create the green for the foreground by mixing sap green with yellow ochre and a touch of burnt umber for darker shades. The building color can be achieved by mixing yellow ochre with white and a touch of burnt umber.
techniques
common pitfalls
surface · stretched canvas
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optional
Use a limited palette to encourage color mixing and create a harmonious painting. Consider using a slightly textured canvas to add visual interest.
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