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home·artworks·The Port of Algiers with Haze
The Port of Algiers with Haze by Albert Marquet

plate no. 0387

The Port of Algiers with Haze

Albert Marquet, 1943

oilPost-Impressionismcityscapecityscapeshipsbuildingshazepalm treesport
some experience helpful

This painting is great for practicing atmospheric perspective and creating a sense of depth through color and value changes. Recreating it will also help develop skills in simplifying complex scenes into basic shapes and forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, ships, and palm trees, paying attention to their relative sizes and positions.

  2. step 02

    Block in the sky with a light, hazy pink, blending it smoothly.

  3. step 03

    Establish the distant ships and buildings with muted blues and purples, keeping the details minimal.

  4. step 04

    Paint the closer buildings with slightly more saturated colors and sharper edges.

  5. step 05

    Add the palm trees in the foreground, using darker greens and blues.

  6. step 06

    Refine the details of the buildings and ships, adding subtle highlights and shadows.

  7. step 07

    Soften the edges of the distant objects to enhance the atmospheric perspective.

  8. step 08

    Add final touches and highlights to create a sense of depth and realism.

color palette

primary · titanium white · ultramarine blue · alizarin crimson

secondary · yellow ochre · viridian green

Mix white with small amounts of crimson and blue to achieve the hazy pink of the sky. Use varying proportions of blue and crimson for the purples in the buildings and ships. Add yellow ochre to the blues and greens for warmer tones.

techniques

  • ·atmospheric perspective
  • ·color blending
  • ·simplified shapes
  • ·layering
  • ·soft edges

common pitfalls

  • →Overworking the details in the distant objects.
  • →Using colors that are too saturated in the background.
  • →Creating harsh edges that disrupt the atmospheric perspective.
  • →Ignoring the subtle value changes that create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·viridian green oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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