apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Pool
The Pool by Tom Thomson

plate no. 8842

The Pool

Tom Thomson

oilPost-Impressionismlandscapetreesleaveswaterautumnforestlandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex scenes into manageable shapes and brushstrokes. It's a great exercise in capturing the essence of a scene rather than precise details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of trees and the waterline.

  2. step 02

    Block in the large areas of color: the blue of the water and sky, the greens and browns of the foliage, and the oranges and reds of the leaves.

  3. step 03

    Begin layering colors within each area, using short, broken brushstrokes to create texture and visual interest.

  4. step 04

    Add details to the trees, such as branches and the texture of the bark.

  5. step 05

    Refine the colors and values, paying attention to the light and shadow.

  6. step 06

    Add highlights to the leaves and water to create a sense of vibrancy.

  7. step 07

    Step back and assess the overall balance and harmony of the painting.

  8. step 08

    Make any final adjustments to the colors, values, and details.

color palette

primary · cadmium red · cadmium yellow · ultramarine blue · titanium white

secondary · burnt umber · sap green · yellow ochre

Achieve the various shades of orange and red by mixing cadmium red and cadmium yellow in different proportions. Use ultramarine blue and white to create the cool blues of the water and sky. Muted greens can be achieved by mixing yellow, blue, and a touch of burnt umber.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors straight from the tube without mixing them.
  • →Failing to establish a clear focal point.
  • →Getting bogged down in details and losing the overall impression.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (cadmium red, cadmium yellow, ultramarine blue, titanium white, burnt umber, sap green, yellow ochre)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use good quality oil paints for best results. Pre-primed canvas is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov