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home·artworks·The Pont Saint-Michel and Notre Dame
The Pont Saint-Michel and Notre Dame by Albert Marquet

plate no. 5993

The Pont Saint-Michel and Notre Dame

Albert Marquet, 1905

oilPost-Impressionismcityscapecityscapebridgebuildingwaterfiguressky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the building, bridge, and Notre Dame in the background.

  2. step 02

    Establish the horizon line and the basic perspective of the street.

  3. step 03

    Block in the sky with a thin wash of light gray and white.

  4. step 04

    Paint the background buildings and bridge with diluted blues and grays, focusing on atmospheric perspective.

  5. step 05

    Add the water, using horizontal brushstrokes and capturing the reflections of the bridge and figures.

  6. step 06

    Paint the street with warm browns and grays, blending the colors to create a sense of wetness.

  7. step 07

    Add the figures with simple, dark shapes.

  8. step 08

    Paint the building on the right with off-white and add the dark window details and the red awning.

color palette

primary · titanium white · ultramarine blue · burnt umber

secondary · cadmium red · yellow ochre · payne's gray

Mix various shades of gray by combining white, blue, and umber. Use red and yellow ochre to create the warm tones of the street and building. Add a touch of blue to the grays for the distant buildings to create atmospheric perspective.

techniques

  • ·wet-on-wet blending
  • ·atmospheric perspective
  • ·simplified shapes
  • ·capturing reflections
  • ·scumbling

common pitfalls

  • →Overworking the details
  • →Using too much color
  • →Ignoring the atmospheric perspective
  • →Making the reflections too sharp

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes
  • ·flat brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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