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home·artworks·The Pont de Grenelle, Paris
The Pont de Grenelle, Paris by Othon Friesz

plate no. 0485

The Pont de Grenelle, Paris

Othon Friesz, 1901

oilPost-ImpressionismcityscapecityscaperiverboatslightsbridgeEiffel Tower
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and capturing the effects of light and reflection on water. It also provides practice in simplifying complex scenes into basic shapes and colors.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line, the position of the Eiffel Tower, the bridge, and the boats.

  2. step 02

    Block in the large areas of color: the sky, the water, and the darker areas of the boats and buildings.

  3. step 03

    Start adding the reflections in the water, using broken brushstrokes and varying shades of blue and yellow.

  4. step 04

    Develop the details of the boats and the bridge, paying attention to the shapes of the light and shadow.

  5. step 05

    Add the highlights and reflections of the lights on the water, using small dabs of yellow and white paint.

  6. step 06

    Refine the details of the Eiffel Tower and the buildings in the background, using a lighter touch.

  7. step 07

    Adjust the overall color balance and value contrast to create a sense of atmosphere and depth.

  8. step 08

    Add final touches and details.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · cadmium yellow · alizarin crimson

Mix blues and whites for the sky and water. Use yellow ochre and burnt umber for the darker areas of the boats and buildings. Add small amounts of alizarin crimson to create warmer tones.

techniques

  • ·broken brushstrokes
  • ·wet-on-wet blending
  • ·scumbling
  • ·impasto
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating mud by overmixing colors.
  • →Failing to capture the subtle variations in color and value.
  • →Not establishing a strong focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to help create the broken brushstroke effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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