apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Plaster Cast
The Plaster Cast by Matthew Smith

plate no. 0152

The Plaster Cast

Matthew Smith, 1913

oilPost-Impressionismstill lifestill lifeplaster castflowerstabledraperyclock
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and practice loose, expressive brushwork to capture form and texture. It also encourages observation of light and shadow on complex forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the plaster cast, the table, the clock, and the background elements.

  2. step 02

    Block in the large areas of color, focusing on the overall value and temperature of each area.

  3. step 03

    Begin to refine the shapes and forms, paying attention to the light and shadow on the plaster cast.

  4. step 04

    Add details to the flowers and the clock, using smaller brushstrokes and more saturated colors.

  5. step 05

    Work on the background drapery, using vertical strokes to create the striped pattern.

  6. step 06

    Refine the edges of the objects and add any final details.

  7. step 07

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

  8. step 08

    Allow the painting to dry completely.

color palette

primary · titanium white · raw umber · cadmium red · viridian

secondary · yellow ochre · alizarin crimson · sap green

Achieve the muted tones by mixing complementary colors (e.g., red and green) with white or raw umber. Use viridian and yellow ochre to create the green tones.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color temperature
  • ·expressive brushwork

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of the background in creating depth and atmosphere.
  • →Getting bogged down in details too early.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·varnish

Use a medium-textured canvas to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov