
plate no. 0152
Matthew Smith, 1913
Recreating this painting will help students develop skills in color mixing to achieve muted tones and practice loose, expressive brushwork to capture form and texture. It also encourages observation of light and shadow on complex forms.
technical profile
approach — 8 steps
Lightly sketch the main shapes: the plaster cast, the table, the clock, and the background elements.
Block in the large areas of color, focusing on the overall value and temperature of each area.
Begin to refine the shapes and forms, paying attention to the light and shadow on the plaster cast.
Add details to the flowers and the clock, using smaller brushstrokes and more saturated colors.
Work on the background drapery, using vertical strokes to create the striped pattern.
Refine the edges of the objects and add any final details.
Step back and assess the painting, making any necessary adjustments to the composition, color, or value.
Allow the painting to dry completely.
color palette
primary · titanium white · raw umber · cadmium red · viridian
secondary · yellow ochre · alizarin crimson · sap green
Achieve the muted tones by mixing complementary colors (e.g., red and green) with white or raw umber. Use viridian and yellow ochre to create the green tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.
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