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home·artworks·The Penitent St Jerome
The Penitent St Jerome by Filippino Lippi

plate no. 5167

The Penitent St Jerome

Filippino Lippi, 1485

temperaEarly Renaissancereligious paintingfigurelandscaperockstreereligioushalo
some experience helpful

Recreating this painting will help students understand how to render realistic figures in a landscape and how to create depth using atmospheric perspective. It will also provide practice in mixing earth tones and creating subtle gradations of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main shapes and composition.

  2. step 02

    Establish the background landscape with light washes of color, focusing on atmospheric perspective.

  3. step 03

    Block in the large shapes of the rocks and tree, paying attention to their form and texture.

  4. step 04

    Begin to define the figure of St. Jerome, focusing on accurate proportions and anatomy.

  5. step 05

    Add details to the figure, including the drapery, beard, and hands.

  6. step 06

    Refine the lighting and shadows throughout the painting, creating a sense of depth and volume.

  7. step 07

    Add final details such as the halo and any small elements in the landscape.

  8. step 08

    Glaze with thin layers to unify the colors and add richness.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · cadmium red light

Mix various shades of brown and gray by combining raw umber, yellow ochre, and ivory black. Use titanium white to lighten these colors and create highlights. Add small amounts of cadmium red light to warm up the earth tones.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·hatching

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a convincing sense of depth.
  • →Using colors that are too saturated or bright.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for capturing the details in this painting.

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