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home·artworks·The Patriot
The Patriot by Andrew Wyeth

plate no. 4517

The Patriot

Andrew Wyeth, 1964

tempera, panelContemporary Realismportraitportraitmanmilitaryuniformmedalfigure
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering skin tones with subtle variations, and capturing the texture of fabric.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a detailed line drawing of the subject, paying close attention to proportions and angles.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or similar earth tone.

  3. step 03

    Begin layering in the skin tones, starting with mid-tones and gradually building up highlights and shadows.

  4. step 04

    Pay close attention to the subtle color variations in the skin, using a limited palette of earth tones, reds, and yellows.

  5. step 05

    Work on the uniform, capturing the texture of the fabric with dry brush techniques and subtle color variations.

  6. step 06

    Carefully render the details of the medals and buttons, paying attention to their metallic sheen.

  7. step 07

    Refine the background, creating a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Darken shadows with burnt umber and a hint of blue. The uniform is primarily earth tones with subtle variations created by mixing in small amounts of other colors.

techniques

  • ·dry brush texture
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·value studies

common pitfalls

  • →Inaccurate proportions in the initial drawing.
  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle color variations in the skin and uniform.
  • →Ignoring the importance of value contrast in creating a sense of depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for blending.

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