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home·artworks·The Pasha's exit
The Pasha's exit by Alfred Dehodencq

plate no. 6440

The Pasha's exit

Alfred Dehodencq

oil, canvasOrientalismgenre paintingfiguresarchitecturebuildingdoorwayrobescarpet
experienced study

Recreating this painting will help students develop skills in figure painting, depicting light and shadow, and creating a sense of depth through atmospheric perspective. It also offers practice in rendering textures of fabrics and architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions.

  2. step 02

    Block in the main shapes and areas of color, focusing on the overall value structure.

  3. step 03

    Develop the background architecture, paying attention to the details and light effects.

  4. step 04

    Begin painting the figures, starting with the central figure and working outwards.

  5. step 05

    Refine the details of the figures, including the clothing, faces, and hands.

  6. step 06

    Add the red carpet and other foreground elements.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · titanium white · raw sienna

Mix various shades of white with small amounts of yellow ochre and burnt umber to create the off-white tones of the robes and walls. Use ultramarine blue and burnt umber to create the darker shades.

techniques

  • ·figure painting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of light and shadow.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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