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home·artworks·The Pantheon and St. Etienne-du-Mont
The Pantheon and St. Etienne-du-Mont by Raoul Dufy

plate no. 6171

The Pantheon and St. Etienne-du-Mont

Raoul Dufy, 1904

oil, canvasPost-Impressionismcityscapecityscapebuildingsskyfiguresstreetarchitecture
some experience helpful

Recreating this painting will help students develop skills in simplifying complex architectural forms and capturing the effects of light and shadow with bold brushstrokes. It also provides practice in color mixing to achieve the vibrant yet harmonious palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 7 steps

  1. step 01

    Lightly sketch the main architectural shapes and the horizon line, focusing on proportions and perspective.

  2. step 02

    Block in the large areas of color for the sky, buildings, and street using thinned paint.

  3. step 03

    Establish the main light and shadow patterns on the buildings, using darker values for shadows and lighter values for highlights.

  4. step 04

    Add details to the buildings, such as windows, columns, and architectural ornaments, simplifying the forms.

  5. step 05

    Paint the figures and street details, using small brushstrokes to suggest movement and activity.

  6. step 06

    Refine the sky, blending colors to create a sense of depth and atmosphere.

  7. step 07

    Add final touches and highlights to enhance the overall composition and create visual interest.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna

secondary · cadmium red · viridian green

Mix ultramarine blue with white for the sky, adding small amounts of yellow ochre for variations. Use yellow ochre and burnt sienna for the buildings, mixing in small amounts of red or blue to adjust the color temperature. Create shadows by mixing complementary colors.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·simplification of form
  • ·color temperature

common pitfalls

  • →overworking details
  • →getting bogged down in precise rendering
  • →muddying colors
  • →ignoring the overall light and shadow patterns

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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