apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The old bridge at the Korana river
The old bridge at the Korana river by Alfred Krupa

plate no. 8976

The old bridge at the Korana river

Alfred Krupa, 1989

watercolorPost-Impressionismlandscapebridgerivertreeslandscapewaterreflection
some experience helpful

Recreating this painting will help students practice wet-on-wet watercolor techniques and learn how to create depth using atmospheric perspective. It will also help them understand how to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the bridge, trees, and river.

  2. step 02

    Apply a light wash of diluted blue and gray to the sky area.

  3. step 03

    Paint the water with varying shades of blue, allowing colors to blend wet-on-wet.

  4. step 04

    Add the bridge structure using a darker brown or gray, capturing the reflections in the water.

  5. step 05

    Paint the trees and branches with thin, varied strokes, using browns and grays.

  6. step 06

    Add details to the foreground, such as rocks or foliage, with darker values.

  7. step 07

    Use dry brush technique to add texture to the trees and bridge.

  8. step 08

    Refine details and adjust values to create depth and atmosphere.

color palette

primary · ultramarine blue · burnt umber · raw sienna

secondary · payne's gray · yellow ochre · white (for lightening)

Mix blues and grays for the sky and water. Use burnt umber and raw sienna for the trees and bridge, varying the proportions to create different shades of brown. Add a touch of yellow ochre to warm up the browns.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details
  • →Using too much water and losing control of the washes
  • →Not allowing layers to dry completely before adding new ones
  • →Creating muddy colors by over-mixing

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper (140lb cold press)
  • ·round watercolor brushes (sizes 2, 6, 10)
  • ·water container
  • ·palette
  • ·masking tape
  • ·pencil
  • ·eraser

optional

  • ·palette knife
  • ·masking fluid
  • ·spray bottle

Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov