apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·THE NORTH, MIDDLE AND SOUTH
THE NORTH, MIDDLE AND SOUTH by Tran Van Can

plate no. 6658

THE NORTH, MIDDLE AND SOUTH

Tran Van Can

oilPost-Impressionismgenre paintingfigureswomenclothingtreeschickensarchitecture
some experience helpful

Recreating this painting will help students develop skills in loose watercolor washes and capturing figures in a natural setting. It also provides practice in creating depth and form with limited value contrast.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, focusing on proportions and placement.

  2. step 02

    Apply a light wash of diluted raw sienna or yellow ochre to the entire paper as a base tone.

  3. step 03

    Begin layering in the background washes, starting with the lightest values and gradually building up darker tones.

  4. step 04

    Paint the figures, starting with the clothing and then adding details to the faces and hands.

  5. step 05

    Add details like the chickens and the architectural elements.

  6. step 06

    Use dry brush techniques to create texture in the trees and foliage.

  7. step 07

    Refine the shadows and highlights to create depth and dimension.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · raw sienna · burnt umber · ultramarine blue

secondary · yellow ochre · alizarin crimson · sap green

Mix raw sienna and ultramarine blue for the cooler grays and shadows. Use alizarin crimson and yellow ochre for warmer skin tones. Dilute colors significantly for the initial washes.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·limited palette
  • ·figure drawing

common pitfalls

  • →Overworking the washes and losing the transparency of the watercolor.
  • →Creating muddy colors by overmixing.
  • →Not establishing a clear value structure.
  • →Getting the figure proportions wrong.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·#6 round brush
  • ·#10 round brush
  • ·water container
  • ·palette
  • ·pencil

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser

Use a good quality watercolor paper that can withstand multiple washes. Experiment with different brush sizes to achieve a variety of effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov