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home·artworks·The New World, from the 'Foresteria' (Guesthouse)
The New World, from the 'Foresteria' (Guesthouse) by Giovanni Domenico Tiepolo

plate no. 7046

The New World, from the 'Foresteria' (Guesthouse)

Giovanni Domenico Tiepolo, 1757

frescoRococogenre paintingfiguresarchitectureflagsskyseacrowd
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a crowd and creating atmospheric perspective with muted colors. It also provides practice in rendering architectural details and flags.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures and architectural elements.

  2. step 02

    Establish the horizon line and the basic shapes of the sky and sea.

  3. step 03

    Block in the main color masses for the buildings, figures, and flags using thin washes.

  4. step 04

    Begin adding details to the figures, focusing on their costumes and postures.

  5. step 05

    Develop the architectural details, paying attention to the light and shadow.

  6. step 06

    Refine the sky and sea, creating a sense of depth and atmosphere.

  7. step 07

    Add final details and highlights to the figures and buildings.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of age.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve the muted tones by mixing white with small amounts of raw umber, burnt sienna, and Prussian blue. Use yellow ochre and burnt sienna for the buildings and figures' clothing.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Dilute the oil paints with linseed oil or turpentine for the initial layers.

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