apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The New School II
The New School II by Jeffrey Smart

plate no. 9899

The New School II

Jeffrey Smart, 2004

oilContemporary Realismcityscapefigurebuildingskycityscapearchitectureschoolyard
some experience helpful

Recreating this painting will help students develop skills in linear perspective, color mixing for subtle variations in light and shadow, and rendering smooth surfaces.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and perspective lines of the buildings and schoolyard, paying close attention to vanishing points.

  2. step 02

    Block in the large areas of color: the sky, the buildings, and the ground.

  3. step 03

    Mix and apply the base colors for the figure, focusing on accurate proportions and placement.

  4. step 04

    Add subtle variations in color and value to the buildings and ground to create depth and dimension.

  5. step 05

    Refine the details of the figure, including the clothing folds and facial features.

  6. step 06

    Paint the lines on the schoolyard using a fine brush and consistent pressure.

  7. step 07

    Add highlights and shadows to enhance the form of the buildings and the figure.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and realistic look.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · cadmium red · burnt umber

Achieve the muted tones of the buildings by mixing yellow ochre with small amounts of burnt umber and white. The sky is a blend of ultramarine blue and white, with subtle variations in value. The figure's clothing uses a mix of blues and greens.

techniques

  • ·linear perspective
  • ·color mixing
  • ·smooth blending
  • ·glazing
  • ·figure drawing

common pitfalls

  • →Inaccurate perspective leading to a distorted composition.
  • →Overly saturated colors that detract from the painting's realism.
  • →Neglecting subtle value changes, resulting in a flat appearance.
  • →Incorrect proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·burnt umber oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will aid in achieving the desired level of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Fifth Ave

Fifth Ave

Pietropoli Patrick

July

July

Fairfield Porter

Tresco

Tresco

John Miller

Pope John Paul II

Pope John Paul II

Nelson Shanks

Dog and Groom

Dog and Groom

Alex Colville

Beach with Palm

Beach with Palm

John Miller

Au Wihlering II

Au Wihlering II

Gazmend Freitag

Dan Cowan

Dan Cowan

Richard Whitney