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home·artworks·The Neuer Marktplatz in Dresden
The Neuer Marktplatz in Dresden by Bernardo Bellotto

plate no. 6681

The Neuer Marktplatz in Dresden

Bernardo Bellotto, 1747

oil, canvasRocococityscapecityscapearchitecturefiguresbuildingsskyplaza
experienced study

Recreating this painting will help students develop skills in perspective drawing, atmospheric perspective, and rendering complex architectural details. It also provides practice in painting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the main architectural forms and perspective lines.

  2. step 02

    Block in the large shapes of the buildings and ground with thin washes of color.

  3. step 03

    Establish the sky and atmospheric perspective, making distant elements lighter and less detailed.

  4. step 04

    Develop the architectural details, paying attention to light and shadow.

  5. step 05

    Add figures and carriages, starting with general shapes and gradually refining details.

  6. step 06

    Refine the color palette, adjusting values and hues to create a sense of depth and atmosphere.

  7. step 07

    Add highlights and details to create a sense of realism.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · burnt sienna · Prussian blue · cadmium red light

Achieve the subtle variations in the buildings by mixing yellow ochre, raw umber, and white in different proportions. Use Prussian blue and burnt sienna to create muted greens and grays for the distant elements.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Incorrect perspective can ruin the entire painting.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Failing to establish a clear light source will result in a flat, unconvincing image.
  • →Using colors that are too saturated will detract from the overall atmospheric effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, raw umber, titanium white, burnt sienna, Prussian blue, cadmium red light)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a fine-grained canvas to allow for detailed brushwork. Consider using a toned ground to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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