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home·artworks·The Mowers (when Hearts Beat as One)
The Mowers (when Hearts Beat as One) by Granville Redmond

plate no. 1163

The Mowers (when Hearts Beat as One)

Granville Redmond, 1907

oilTonalismlandscapefieldtreesfiguresskylandscapeharvest
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and using a limited palette to create a cohesive and harmonious landscape. Students will also learn to suggest detail with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: horizon line, tree masses, and the figures.

  2. step 02

    Establish the overall warm tone of the sky with a thin wash of diluted color.

  3. step 03

    Block in the large shapes of the trees and field with darker values, paying attention to the tonal variations.

  4. step 04

    Begin adding texture to the field with short, directional brushstrokes to suggest the harvested crop.

  5. step 05

    Refine the shapes of the trees, adding highlights and shadows to create depth.

  6. step 06

    Paint the figures with simple shapes and minimal detail, focusing on their placement within the landscape.

  7. step 07

    Add subtle details to the sky, such as soft clouds or variations in tone.

  8. step 08

    Review and adjust the overall values and color harmony to create a unified and atmospheric effect.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · sap green · ultramarine blue

Achieve the warm, muted tones by mixing yellow ochre and burnt umber with varying amounts of white. Use small amounts of blue and green to create cooler shadows and variations in the foliage.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·tonal painting
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating too much contrast, which can flatten the image.
  • →Using colors that are too saturated, which will disrupt the tonal harmony.
  • →Neglecting the importance of value relationships in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A toned canvas (e.g., with a thin wash of burnt umber) can help establish the warm undertones of the painting.

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oil painting for beginners →how to learn by studying the masters →
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