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home·artworks·The Mount of Olives in Jerusalem
The Mount of Olives in Jerusalem by Tivadar Kosztka Csontvary

plate no. 0456

The Mount of Olives in Jerusalem

Tivadar Kosztka Csontvary, 1905

oil, canvasPost-Impressionismcityscapecityscapebuildingstowertreesbirdssky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to depict distance.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, tower, and landscape, paying attention to proportions.

  2. step 02

    Block in the sky with a light green-blue, blending it smoothly.

  3. step 03

    Establish the base colors for the buildings and landscape using muted earth tones.

  4. step 04

    Layer lighter tones on the buildings to create highlights and suggest the texture of the stone.

  5. step 05

    Add the dark cypress trees, using a dry brush technique to create texture.

  6. step 06

    Paint the details of the tower, including windows and architectural elements.

  7. step 07

    Add the birds in the foreground, paying attention to their shapes and colors.

  8. step 08

    Refine the details and add final touches to create a cohesive composition.

color palette

primary · light green-blue · beige · light grey · dark brown

secondary · burnt sienna · yellow ochre · white · black

Mix the sky color by combining light green-blue with white for highlights and a touch of blue for shadows. Achieve the building colors by mixing beige, light grey, and burnt sienna, adjusting the proportions for variations in tone.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing
  • ·blending

common pitfalls

  • →Overworking the details too early.
  • →Not establishing a clear value structure.
  • →Ignoring the subtle color variations in the buildings.
  • →Making the sky too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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