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home·artworks·The mosque at Tlemcen, Algeria
The mosque at Tlemcen, Algeria by Gustavo Simoni

plate no. 0945

The mosque at Tlemcen, Algeria

Gustavo Simoni, 1876

pencil, watercolorOrientalismgenre paintingfiguresarchitecturecourtyardmosquefoliagewater
experienced study

Recreating this painting will help students develop skills in depicting figures in a crowd and creating atmospheric perspective using watercolor washes. It also provides practice in capturing architectural details with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the architecture and figures, focusing on proportions and placement.

  2. step 02

    Apply a light wash of diluted ochre or raw sienna to the entire paper to create a warm undertone.

  3. step 03

    Begin layering in the background architecture with diluted grays and browns, using a wet-on-wet technique to soften edges.

  4. step 04

    Paint the figures in the foreground with slightly more saturated colors, defining their forms with subtle shadows.

  5. step 05

    Add details to the architecture, such as arches and columns, using a fine brush and darker values.

  6. step 06

    Introduce the foliage and water feature, using a mix of greens and blues, and allowing the colors to blend naturally.

  7. step 07

    Refine the details of the figures' clothing and faces, paying attention to the play of light and shadow.

  8. step 08

    Add final touches, such as highlights and textures, to create a sense of depth and realism.

color palette

primary · raw sienna · burnt umber · Payne's gray

secondary · ultramarine blue · sap green · yellow ochre

Achieve the muted tones by mixing complementary colors and diluting with plenty of water. Use Payne's gray sparingly to create shadows and depth.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Using colors that are too saturated and bright, resulting in a painting that lacks subtlety.
  • →Failing to create a sense of depth and atmosphere through the use of value and color.
  • →Not establishing a clear focal point, leading to a cluttered and confusing composition.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·#6 round brush
  • ·#2 round brush
  • ·water container
  • ·palette
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

watercolor techniques →how to draw →how to learn by studying the masters →
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