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home·artworks·The Moroccan storyteller
The Moroccan storyteller by Alfred Dehodencq

plate no. 8063

The Moroccan storyteller

Alfred Dehodencq, 1858

oil, canvasOrientalismgenre paintingfiguresarchitecturestreet sceneskybuildingtown
experienced study

Recreating this painting will help students develop skills in depicting figures in a crowd and creating a sense of depth through atmospheric perspective. It also provides practice in rendering architectural details and capturing the effects of light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the buildings and the overall arrangement of the figures.

  2. step 02

    Establish the horizon line and the vanishing point(s) to guide the perspective.

  3. step 03

    Block in the main shapes of the buildings and the sky using thin washes of color.

  4. step 04

    Begin adding details to the architecture, paying attention to the light and shadow patterns.

  5. step 05

    Roughly indicate the positions of the figures, focusing on their general shapes and gestures.

  6. step 06

    Gradually refine the figures, adding details to their clothing and faces.

  7. step 07

    Use highlights and shadows to create a sense of volume and depth.

  8. step 08

    Add final details and adjust the overall color balance to create a cohesive and harmonious painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Mix various shades of brown and beige by combining raw umber, yellow ochre, and titanium white. Add small amounts of ultramarine blue or burnt sienna to adjust the temperature of the colors. For the sky, mix titanium white with a touch of ultramarine blue and a hint of yellow ochre.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·architectural rendering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early
  • →Ignoring the perspective
  • →Using colors that are too saturated
  • →Failing to establish a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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