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home·artworks·The Moorish Bazaar
The Moorish Bazaar by Edwin Lord Weeks

plate no. 5715

The Moorish Bazaar

Edwin Lord Weeks, 1873

watercolorOrientalismgenre paintingarchitecturemarketpeoplearchwaycityscapefigures
some experience helpful

Recreating this painting will help students develop skills in perspective, rendering figures in a crowd, and creating atmospheric depth using watercolor washes. It also provides practice in capturing architectural details and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural elements, focusing on perspective and proportions of the archway and buildings.

  2. step 02

    Sketch in the figures, paying attention to their relative sizes and positions within the scene.

  3. step 03

    Apply a light wash of diluted yellow ochre or raw sienna to the entire paper as a base tone.

  4. step 04

    Begin layering in the darker values of the archway and buildings using burnt umber and Payne's gray, building up the shadows gradually.

  5. step 05

    Paint the red stripes on the archway with a diluted red, allowing the underpainting to show through for texture.

  6. step 06

    Add details to the figures, using a variety of colors to differentiate clothing and skin tones.

  7. step 07

    Create atmospheric perspective by using lighter, cooler colors for the buildings in the background.

  8. step 08

    Add final details, such as the lanterns, signs, and textures on the buildings.

color palette

primary · yellow ochre · burnt umber · Payne's gray

secondary · red · ultramarine blue · raw sienna

Mix various shades of brown and gray by combining burnt umber, yellow ochre, and Payne's gray. Use diluted washes of red for the archway stripes. Create atmospheric perspective by adding a touch of blue to the background colors.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Making the colors too saturated and losing the atmospheric effect.
  • →Incorrect perspective in the archway and buildings.
  • →Not creating enough variation in the skin tones and clothing of the figures.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·palette knife

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying levels of detail.

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watercolor techniques →how to learn by studying the masters →
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