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The Mirror by Fairfield Porter

plate no. 1090

The Mirror

Fairfield Porter, 1966

oilContemporary Realismportraitfiguremirrorinteriorportraitroomwindow
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing realistic skin tones. It also provides practice in depicting reflections and understanding how light interacts with different surfaces.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the mirror.

  2. step 02

    Block in the main color areas, starting with the background and larger shapes.

  3. step 03

    Develop the skin tones, using thin layers of color to build up depth and realism.

  4. step 04

    Refine the details of the figures, paying attention to the light and shadow.

  5. step 05

    Paint the reflections in the mirror, considering how the light and colors are altered.

  6. step 06

    Add details to the interior, such as the furniture and the pictures on the wall.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt sienna · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · raw umber · sap green

Mix skin tones using burnt sienna, yellow ochre, and titanium white, with small amounts of cadmium red and ultramarine blue for subtle variations. Achieve the orange hues by mixing cadmium red and yellow ochre. Use raw umber and ultramarine blue for the darker areas and shadows.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the figures.
  • →Ignoring the subtle variations in light and shadow.
  • →Not paying enough attention to the reflections in the mirror.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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oil painting for beginners →how to learn by studying the masters →
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