
plate no. 1960
Recreating this painting will help students develop skills in capturing light and shadow on a figure and using visible brushstrokes to create texture and form. It also provides practice in mixing subtle color variations to depict skin tones and fabric.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and background.
Establish the main areas of light and shadow with thin washes of color.
Begin building up the skin tones with layers of color, focusing on the subtle variations.
Define the details of the clothing, paying attention to the folds and ruffles.
Add the dark shapes of the hats and background, using bold brushstrokes.
Refine the details of the face and hair, capturing the expression and texture.
Adjust the overall values and colors to create a sense of depth and atmosphere.
Add final highlights and details to complete the painting.
color palette
primary · ultramarine blue · yellow ochre · burnt sienna · titanium white
secondary · ivory black · cadmium yellow · alizarin crimson
Mix skin tones by blending white, yellow ochre, and a touch of burnt sienna or alizarin crimson. Achieve the dark blues and blacks by mixing ultramarine blue and ivory black. Use yellow ochre and white to create the highlights on the clothing.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a limited palette of colors to simplify the mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
related guides