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home·artworks·The Milliner
The Milliner by Henri de Toulouse-Lautrec

plate no. 1960

The Milliner

Henri de Toulouse-Lautrec, 1900

oil, cardboardPost-Impressionismportraitfigureportraitwomanhatsinteriorclothing
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on a figure and using visible brushstrokes to create texture and form. It also provides practice in mixing subtle color variations to depict skin tones and fabric.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones with layers of color, focusing on the subtle variations.

  4. step 04

    Define the details of the clothing, paying attention to the folds and ruffles.

  5. step 05

    Add the dark shapes of the hats and background, using bold brushstrokes.

  6. step 06

    Refine the details of the face and hair, capturing the expression and texture.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · titanium white

secondary · ivory black · cadmium yellow · alizarin crimson

Mix skin tones by blending white, yellow ochre, and a touch of burnt sienna or alizarin crimson. Achieve the dark blues and blacks by mixing ultramarine blue and ivory black. Use yellow ochre and white to create the highlights on the clothing.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·alla prima

common pitfalls

  • →Overblending the colors, resulting in a flat and lifeless appearance.
  • →Ignoring the subtle color variations in the skin tones.
  • →Getting the proportions of the figure wrong.
  • →Not creating enough contrast between the light and shadow areas.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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