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home·artworks·The Main Street, Combles
The Main Street, Combles by William Orpen

plate no. 5529

The Main Street, Combles

William Orpen, 1917

oilPost-Impressionismcityscaperuinsbuildingskybricksarchitecturelandscape
some experience helpful

Recreating this painting will help students develop skills in depicting textures with visible brushstrokes and understanding atmospheric perspective to create depth. It also encourages simplification of complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the buildings and the horizon line.

  2. step 02

    Block in the large areas of color, starting with the sky and the general tones of the ruins.

  3. step 03

    Establish the darkest shadows and lightest highlights to create a sense of form and depth.

  4. step 04

    Begin adding details to the ruins, focusing on the brickwork and the textures of the debris.

  5. step 05

    Use broken brushstrokes to suggest the uneven surfaces and the effects of light and shadow.

  6. step 06

    Refine the colors and values, paying attention to the subtle variations in tone.

  7. step 07

    Add final details, such as the small architectural elements and the vegetation.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition or color balance.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · sap green · cadmium red light

Mix various shades of brown and pink by combining burnt sienna, white, and small amounts of red or yellow. Create the sky by mixing ultramarine blue with white, adding a touch of yellow for a warmer tone.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to create a strong sense of depth and atmosphere.
  • →Using colors that are too saturated or unrealistic.
  • →Not simplifying the complex forms of the ruins.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use good quality oil paints for best results. Pre-toned canvas can help to establish the mid-tones.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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