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home·artworks·The Madonna del Latte
The Madonna del Latte by Ambrogio Bergognone

plate no. 2484

The Madonna del Latte

Ambrogio Bergognone

temperaEarly Renaissancereligious paintingMadonnachildreligious figureportraitinfant

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions and placement of the figures.

  2. step 02

    Block in the main areas of color: the background, skin tones, drapery, and clothing.

  3. step 03

    Begin layering and blending the skin tones, paying close attention to highlights and shadows.

  4. step 04

    Develop the drapery, using light and shadow to create a sense of volume and form.

  5. step 05

    Refine the details of the faces, including the eyes, nose, and mouth.

  6. step 06

    Add the details of the hair and clothing.

  7. step 07

    Glaze the painting to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and details.

color palette

primary · yellow ochre · burnt umber · ivory black · titanium white

secondary · cadmium red · viridian green

Mix skin tones using yellow ochre, burnt umber, and titanium white. Use small amounts of cadmium red for warmth. Achieve the green by mixing viridian green and ivory black.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery study

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to create a strong sense of light and shadow.
  • →Neglecting the details of the faces.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·viridian green oil paint

optional

  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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