apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Louvre
The Louvre by Maurice Prendergast

plate no. 5033

The Louvre

Maurice Prendergast, 1907

watercolor, paperPost-Impressionismcityscapebuildingfigurestreesparkcityscapestatue
some experience helpful

Recreating this painting will help students develop skills in loose watercolor washes and capturing the essence of a scene with simplified forms and colors. It also encourages observation of light and shadow to define shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the building, the statue, the trees, and the figures.

  2. step 02

    Apply a light wash of diluted yellow ochre across the building, leaving some areas white for highlights.

  3. step 03

    Add washes of green and blue to the trees and grass, allowing the colors to blend and bleed.

  4. step 04

    Use darker shades of brown and blue to define the architectural details of the building.

  5. step 05

    Paint the figures with quick, gestural strokes, using a limited palette of blues, pinks, and blacks.

  6. step 06

    Add details to the statue with light washes of gray and blue.

  7. step 07

    Use a fine brush to add small details like windows and foliage.

  8. step 08

    Evaluate and adjust values and colors to achieve the desired effect.

color palette

primary · yellow ochre · cerulean blue · sap green

secondary · burnt sienna · alizarin crimson · ultramarine blue

Mix yellow ochre with small amounts of burnt sienna to create the warm tones of the building. Use cerulean blue and sap green for the foliage, adjusting the proportions to create variations in color. Mix alizarin crimson with white to create the pinks for the figures.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·color layering
  • ·simplified shapes

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much water and creating muddy colors.
  • →Not allowing the washes to dry completely before adding new layers.
  • →Failing to simplify the shapes and forms.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·#6 round brush
  • ·#2 round brush
  • ·water container
  • ·palette
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes to achieve a variety of textures and effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov