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home·artworks·The Loing at Moret
The Loing at Moret by Gustave Loiseau

plate no. 5357

The Loing at Moret

Gustave Loiseau

oil, canvasPost-Impressionismcityscaperiverbuildingstreesskyreflectionslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing reflections in water using broken brushstrokes. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, river, and trees.

  2. step 02

    Establish the sky with light blues and whites, using loose brushstrokes.

  3. step 03

    Block in the main shapes of the buildings with warm yellows and browns.

  4. step 04

    Add the darker tones for the trees and foliage, using a variety of greens and browns.

  5. step 05

    Create the reflections in the water by mirroring the colors and shapes above, using horizontal brushstrokes.

  6. step 06

    Refine the details of the buildings and trees, adding highlights and shadows.

  7. step 07

    Add texture to the foreground foliage with short, broken brushstrokes.

  8. step 08

    Adjust the overall color balance and value contrast to create a harmonious composition.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · sap green · raw sienna

Mix greens by combining ultramarine blue and yellow ochre. Create variations in brown by mixing burnt umber with yellow ochre or cadmium red. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating mud by over-mixing colors.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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