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home·artworks·The Last Crumbs (In The Restaurant La Mie)
The Last Crumbs (In The Restaurant La Mie) by Henri de Toulouse-Lautrec

plate no. 5413

The Last Crumbs (In The Restaurant La Mie)

Henri de Toulouse-Lautrec, 1891

oil, cardboardPost-Impressionismgenre paintingfigurestablerestaurantbottleinteriorfood
some experience helpful

This painting offers a chance to practice loose brushwork and capturing light on different surfaces. Students can learn to simplify complex scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition: figures, table, and background.

  2. step 02

    Block in the large areas of color with thin washes, focusing on the overall value structure.

  3. step 03

    Begin adding details to the figures, paying attention to facial features and clothing folds.

  4. step 04

    Develop the background using loose, expressive brushstrokes to create texture and depth.

  5. step 05

    Refine the details on the table, including the bottle, glasses, and plate.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Adjust colors and values as needed to achieve a harmonious composition.

  8. step 08

    Add final details and refine edges.

color palette

primary · yellow ochre · burnt umber · titanium white · cadmium red

secondary · ultramarine blue · viridian green · ivory black

Mix various shades of brown and yellow by combining burnt umber, yellow ochre and white. Use ultramarine blue and burnt umber to create dark tones. Add small amounts of cadmium red to create warm highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·expressive brushwork
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Failing to establish a strong value structure early on.
  • →Getting bogged down in mixing too many colors.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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