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home·artworks·The large tree
The large tree by Paul Gauguin

plate no. 1287

The large tree

Paul Gauguin, 1891

oil, canvasPost-Impressionismgenre paintingtreesfigurestropicallandscapehutfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing the essence of a scene with simplified forms and expressive brushstrokes. It's also a good exercise in understanding warm and cool color relationships.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the hut, trees, and figures.

  2. step 02

    Block in the large areas of color: the sky, the ground, the trees, and the hut.

  3. step 03

    Begin layering colors within each area, using a variety of warm and cool tones to create depth and interest.

  4. step 04

    Add details to the figures, focusing on capturing their poses and gestures.

  5. step 05

    Refine the foliage, using short, broken brushstrokes to create texture and movement.

  6. step 06

    Pay attention to the shadows and highlights, using them to define the forms and create a sense of depth.

  7. step 07

    Add final details, such as the patterns on the figures' clothing and the texture of the hut's roof.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · red ochre · viridian · yellow ochre · titanium white

secondary · ultramarine blue · burnt umber · cadmium yellow

Mix red ochre and burnt umber for the darker earth tones. Use viridian and yellow ochre to create the various greens. Add white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·simplified forms

common pitfalls

  • →overworking the painting
  • →getting bogged down in details
  • →using colors that are too saturated
  • →not paying attention to the overall composition

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

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