apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Lamentation
The Lamentation by Petrus Christus

plate no. 5786

The Lamentation

Petrus Christus, 1455

oil, panel, temperaNorthern Renaissancereligious paintingfiguresreligious scenelandscapeskytowncloth
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a believable sense of depth through atmospheric perspective. Students will also learn to mix subtle skin tones and create realistic textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and landscape elements, paying attention to proportions and placement.

  2. step 02

    Establish the background with thin washes of color, focusing on the sky and distant landscape.

  3. step 03

    Block in the main color masses for each figure, starting with the darker areas and gradually adding highlights.

  4. step 04

    Begin refining the details of the faces, paying close attention to the light and shadow to create form.

  5. step 05

    Work on the drapery, carefully observing the folds and highlights to create a sense of volume.

  6. step 06

    Add details to the landscape, such as trees, buildings, and the distant town.

  7. step 07

    Refine the skin tones, using subtle color variations to create a realistic effect.

  8. step 08

    Add final details, such as the nails, hammer, and skull, and adjust the overall composition as needed.

color palette

primary · ivory black · cadmium red · yellow ochre · titanium white

secondary · ultramarine blue · burnt umber · sap green

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Darken colors with burnt umber and lighten with white. Create atmospheric perspective by adding blue to distant colors.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·layering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the painting process.
  • →Using colors that are too saturated or unrealistic.
  • →Failing to create a believable sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley