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home·artworks·The Kreuzkirche in Dresden
The Kreuzkirche in Dresden by Bernardo Bellotto

plate no. 9392

The Kreuzkirche in Dresden

Bernardo Bellotto, 1750

oil, canvasRocococityscapecityscapearchitecturebuildingskyfiguresstreet
experienced study

This painting provides a good exercise in perspective and architectural detail. Students can develop skills in rendering realistic textures and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective lines of the buildings and the tower.

  2. step 02

    Establish the horizon line and vanishing points.

  3. step 03

    Block in the main shapes of the buildings and the sky with thin washes of color.

  4. step 04

    Start adding details to the tower, paying attention to the architectural elements and shadows.

  5. step 05

    Develop the buildings on either side, gradually adding more detail and refining the perspective.

  6. step 06

    Paint the sky, blending the colors to create a sense of depth and atmosphere.

  7. step 07

    Add the figures and carriages in the foreground, using small brushstrokes to create a sense of movement.

  8. step 08

    Refine the details and add highlights to create a sense of realism.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · ivory black

Mix raw umber and white for the stone buildings. Use Prussian blue and white for the sky, adding a touch of yellow ochre for warmth. Burnt sienna and raw umber create the darker tones for shadows.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering

common pitfalls

  • →Incorrect perspective
  • →Overworking details too early
  • →Muddy colors
  • →Inconsistent lighting

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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