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home·artworks·The Koranic school
The Koranic school by Nasreddine Dinet

plate no. 0031

The Koranic school

Nasreddine Dinet

oil, canvasOrientalismgenre paintingfiguresinteriorarchitecturechildreneducationlight
some experience helpful

Recreating this painting will help students develop skills in painting figures in a complex interior space and capturing the effects of light and shadow to create depth and atmosphere. It also provides practice in rendering different skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the architecture.

  2. step 02

    Establish the main light source and block in the large areas of light and shadow.

  3. step 03

    Begin to refine the shapes of the figures, paying attention to proportions and anatomy.

  4. step 04

    Start adding details to the faces and clothing, using smaller brushes.

  5. step 05

    Develop the background architecture, adding details to the walls and arches.

  6. step 06

    Refine the details of the foreground, including the books and other objects.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · raw sienna · ivory black

Mix various shades of brown and ochre for the walls and floor. Use white and yellow ochre to create the light areas, and burnt umber and black for the shadows. Mix red and blue for the clothing.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Not paying enough attention to the effects of light and shadow.
  • →Creating a flat, lifeless painting by not varying the values and colors.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, yellow ochre, titanium white, ultramarine blue, cadmium red, raw sienna, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a toned ground to help establish the values.

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